Teil der Gehirnrinde - translation to Αγγλικά
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Teil der Gehirnrinde - translation to Αγγλικά

1938 BLACK-AND-WHITE NAZI PROPAGANDA DOCUMENTARY FILM, WRITTEN, DIRECTED AND PRODUCED BY LENI RIEFENSTAHL, ABOUT THE 1936 SUMMER OLYMPICS IN BERLIN
Olympia 1. Teil - Fest der Völker; Olympia 2. Teil - Fest der Schönheit; Olympia, Parts 1 and 2; Les Dieux du Stade; Olympia 2. Teil - Fest der Schonheit; Olympia 2. Teil - Fest der Schoenheit; Olympia 1. Teil - Fest der Volker; Olympia 1. Teil - Fest der Voelker; Olympia 1: Festival of the Nation; Olympia 2: Festival of Beauty

Teil der Gehirnrinde      
archipallium
Hugo van der Goes         
  • ''The Fall and Redemption of Man''
  • ''The Adoration of the Kings'' ([[Monforte Altarpiece]])
  • Shepherds from the Portinari Triptych
  • ''Portrait of a Man at Prayer with St John the Baptist''
  • ''Saint George and the Dragon''
  • 280px
  • Adoration of the Shepherds]]''
  • Still life from the Portinari Triptych
  • Portinari Triptych]]
  • ''Death of the Virgin''
FLEMISH PAINTER (C.1440-1482)
Hugo van Der Goes; Hugo Van der Goes; Hugo Goes; Hugo van der goes; Hugo Van Der Goes
Hugo van der Goes, (ca. 1440-1482) flemischer Renaissance Maler, Maler des Kunstwerks "Jakob begegnet Rachel"
archipallium      
n. Teil der Gehirnrinde (anatom.)

Ορισμός

van der Waals forces
[?van d?'w?:lz, 'v?:lz]
¦ plural noun Chemistry weak, short-range electrostatic attractive forces between uncharged molecules, arising from the interaction of permanent or transient electric dipole moments.
Origin
C19: named after the Dutch physicist Johannes van der Waals.

Βικιπαίδεια

Olympia (1938 film)

Olympia is a 1938 German sports film written, directed and produced by Leni Riefenstahl, which documented the 1936 Summer Olympics, held in the Olympic Stadium in Berlin during the Nazi period. The film was released in two parts: Olympia 1. Teil — Fest der Völker (Festival of Nations) (126 minutes) and Olympia 2. Teil — Fest der Schönheit (Festival of Beauty) (100 minutes). The first documentary about the Olympics made, Olympia set the precedent for future cinematic documents, glorifying the Olympics, particularly the Summer Games. The 1936 Summer Olympics torch relay was devised for the Games by the secretary general of the Organizing Committee, Dr. Carl Diem. Riefenstahl staged the torch relay for the film, with competitive events of the Games.

Many advanced motion picture techniques, which later became industry standards but which were groundbreaking at the time, were employed, including unusual camera angles, smash cuts, extreme close-ups and placing tracking shot rails within the bleachers. Although restricted to six camera positions on the stadium field, Riefenstahl set up cameras in as many other places as she could, including in the grandstands. She attached automatic cameras to balloons, including instructions to return the film to her, and she also placed automatic cameras in boats during practice runs. Amateur photography was used to supplement that of the professionals along the course of races. Perhaps the greatest innovation seen in Olympia was the use of an underwater camera. The camera followed divers through the air and, as soon as they hit the water, the cameraman dived down with them, all the while changing focus and aperture.

While the craft employed are almost universally admired, Olympia is controversial due to its political context and propaganda value. Nevertheless, it appears on many lists of the greatest films of all time, including Time magazine's "All-Time 100 Movies".